BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Techne Summit//Agenda//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:GenAI Filmmaking's Revolution and Its Bill. (Crew to Prompt)
BEGIN:VEVENT
UID:b7bb6e8fe5d4ed66ccf0bdd3d1da3d0d@technesummit.com
DTSTAMP:20261003T173000Z
DTSTART:20261003T173000Z
DTEND:20261003T180000Z
SUMMARY:GenAI Filmmaking's Revolution and Its Bill. (Crew to Prompt)
LOCATION:The Great Hall\, Bibliotheca Alexandrina\, Alexandria
DESCRIPTION:With Magdi Moussa\, Islam El Dakhakhny\, Mahmoud ElSabbagh.\n
 \nA film that needed a crew of thirty\, a location\, and a six-figure bud
 get can now be made by three people and a GenAI pipeline. That's not a pr
 ediction — it's shipping in Cairo right now\, in commercials\, music vide
 os and shorts.\nThe craft question is settled enough: AI filmmaking works
 . The unsettled questions are the ones that decide whether anyone builds 
 a career on it. Who gets credited when the model generated the shot? Who 
 owns a film whose visuals came out of a system trained on other people's 
 work? What does a director charge when the client knows the render cost n
 othing? Which roles on a crew survive this\, and which ones quietly disap
 peared last year? And what does a festival do with a submission nobody ca
 n prove authorship of?\nStudios are selling AI work they may not legally 
 own. Creators are being quoted against output built partly from their own
  portfolios. Everyone is shipping anyway.\nWe've put people on stage with
  opposing interests rather than a shared opinion — someone selling GenAI 
 film work to brands\, someone whose craft it's replacing\, and someone wh
 o has to write the line into a real contract. You'll leave knowing what's
  defensible today\, what isn't\, and what to charge.\n\nhttps://techne-su
 mmit-concept.pages.dev/agenda/genai-filmmaking-s-revolution-and-its-bill-
 crew-to-prompt
URL:https://techne-summit-concept.pages.dev/agenda/genai-filmmaking-s-rev
 olution-and-its-bill-crew-to-prompt
CATEGORIES:Creative Economy
END:VEVENT
END:VCALENDAR